WILSON SISTERS, Maurice Seymour, 1940s, 16x20 inch print, restoration by Clyde Keller

$280.00


Vintage Maurice Seymour Photograph
"WILSON SISTERS" Portrait
Chicago Studio, 1940s


New Restoration of Original

16x20 Inch Archival Giclee Print
Image Dimensions are 12x16 inches
Heavyweight Epson Satin Paper
Restoration, Signed by Clyde Keller on lower white border
Clear Sleeved on Acid free Foam Core
Shipped Flat, Insured with Tracking

Here is a most beautiful restoration of one of Maurice Seymeur's fantastic portraits from the 1940s. This is an image taken from an original B&W Glossy Bromide Print. The image, reported to be from the 1940s has undergone careful restoration in the print making process for the best possible tonal depth, sharpness and fidelity to the original. The display print is free of dust or discoloration.

ABOUT MAURICE SEYMOUR:

Maurice (1900-1993) and Seymour Zeldman (1902-1995), Russian expatriate photographers, formed the "Maurice Seymour" studio in 1929. Inspired by the example of Maurice Goldberg, the foremost photographer of classical dancers and concert musicians of the 1920s and regular contributor to the New York Times, the brothers chose to make a particular forte of ballet dancers. From 1929 to 1950 they plied their trade in a studio at the St. Clair Hotel in Chicago. In 1950 Seymour Zeldman moved to New York City; both men at this juncture legally changed their names to Maurice Seymour.

The New York brother expanded his clientele from dancers and actors to singers, jazz musicians, and burlesque stars in the 1950s. He for a period partnered with James Kriegsmann, successor to Herbert Mitchell, and a practitioner of in situ photography of singers and musicians in their performance venues. The Chicago Maurice Seymour continued specializing in dance and theatrical photography, although he had, for a period of time in the 1930s, a healthy business from radio personalities as well. Both shuttered their studios in the 1970s.

When in Chicago, they collaborated completely when creating images, sharing the posing and developing work. The images tended to be brightly illuminated, posed against neutral featureless backgrounds, and developed on glossy paper. The studio's skill at retouching was particularly well known. All of the Chicago portraits were taken with a large accordion portrait camera using 8x10 negatives. From 1935 onward, the brothers were the prefered portraitists of the Ballet Russe de Monte Carlo. In 1947 the studio published Seymour on Ballet, a set of photographic studies, with a foreward by Leonid Massine (Chicago: Pelligrini & Cudahy), and in 1952, an expanded portfolio, Ballet Portraits, featuring Margot Fonteyn (Chicago: Pelligrini & Cudahy).

ABOUT CLYDE KELLER:

Hi, I'm a photographer and artist selling my fine art prints at clydekellerphoto.etsy.com.

My work is sold as Fine Art Giclee (inkjet) prints or fade resistant Fuji Crystal Archive (photographic) prints.

Clyde is known internationally for his historic photographs of Robert F. Kennedy. His RFK images are featured in Rory Kennedy's documentary film, "ETHEL" which debuted at the 2012 Sundance Film Festival. The RFK Center for Justice and Human Rights has recently acquired key images from Clyde's RFK portfolios for their collection. Historic photos of author Ken Kesey, William Burroughs and actor Bill Murray are featured in Mark Christensen's book Acid Christ. Clyde's portrait of actor/director Warren Beatty is the cover photo for Peter Biskind's, Star. Several vintage documentary images appear in a new NFL films project, entitled, "Fearsome Foursome" as well as Dan Forrer's upcoming HBO documentary film centering on the birth of Hip Hop music. The Seattle Museum of History and Science now features his vintage Seattle skyline panoramas. His regional portraits of surviving pioneer families (and characters) appear in several new books, periodicals and webzines, including Ken Bilderback's, Creek with No Name, a new soft cover about the history of Cherry Grove, Oregon.

Clyde is the grandson of Clyde Leon Keller, (1872-1962) an important Oregon-based Plein-Air Impressionist Painter. His portfolios can be viewed at www.clydekeller.com.


TREASURY ITEM

January 7, 2016-- Featured again by Elizabeth Graf in her new treasury, entitled, "M is for MARVELOUS!"

https://www.etsy.com/treasury/NTYyOTY2NHwyNzI4MTg4ODMy/m-is-for-marvelous?campaign_label=convo_notifications&utm_source=transactional&utm_campaign=convo_notifications_010170_10683759063_0_0&utm_medium=email&utm_content=&email_sent=1454859895&euid=0-dM4uaRHqtjQI3GpaRpW8QKPT37&eaid=74607774&x_eaid=dc1a6b5760

December 14, 2014-- Featured in Elizabeth Graf's new treasury entitled, "Good Things Don't ONLY Come in Twos!" https://www.etsy.com/treasury/NTYyOTY2NHwyNzI0NTIwMjk1/good-things-dont-only-come-in-twos?campaign_label=convo_notifications&utm_source=transactional&utm_campaign=convo_notifications_010170_10683759063_0_0&utm_medium=email&utm_content=&email_sent=1418568424&euid=Pgt6FG3bcL3riwdx3N2uv__J-U3C&eaid=74607774&x_eaid=dc1a6b5760

Curated by Elizabeth Graf, a fine art painter on Etsy-- ElizabethGraf from ElizabethGraf
https://www.etsy.com/shop/ElizabethGraf

ABOUT ELIZABETH GRAF'S PAINTINGS:

I have an insatiable passion for painting -- which I work on every day. I live to paint!

I have a HUGE body of work which not only includes paintings, but drawings and photographs. I have shown in galleries and art shows but I think I have found my perfect "niche" in Etsy -- selling online allows me the maximum amount of time to tend to my artwork and artist's psyche! My paintings are in private collections all over the world.

"MY PAINTINGS TELL STORIES" - My GREATEST inspiration in my childhood were the illustrations by John R. Neill for The Wizard of Oz series of books. The black and white drawings danced, flowed, moved out of the page -- so powerful! Other inspirations include "everything tropical", marine life, Chinese/Asian, flowers/plants (scenes from my property) and the look of French Provence linens and their colors -- well, let's just say: EVERYTHING!

All paintings are signed by me, Elizabeth Graf.

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