16x20 Inch BW Archival Giclee Print Image Dimensions are 10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core, Corner Mounted Shipped Flat, Insured with Tracking
This archival giclee print offers an exquisite range of tone and brilliancy faithfully capturing this important figure in photojournalism. The B&W negative from which this print is made is in pristine condition with little if any deterioration. Makes a strong impression with excellent scale ar this larger size. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
"W. EUGENE SMITH" (1918-1978) August, 1966 Portrait of Photojournalist
This portrait was made of photojournalist Eugene Smith when he gave a 5 day workshop at the University of Oregon. Smith is important for his invention and development of the Photo Essay. He is known for his unwillingness to compromise as he sought to define his subject matter through a series of story telling images.
An artist, music lover as well as a photojournalist, Eugene Smith spoke poetically to us about using a "keyboard of lenses" to articulate the most important visual aspects about his subjects. He was quite frank about his struggles to get at the truth about his subjects and then to get his final prints (that he made himself) published intact. Before Smith, no one would have been able to run a photograph large across two pages of a national magazine. Smith was insistent... and argued for creative layouts of his works. He was after truth... and made great sacrifices to get at it. When LIFE Magazine "butchered" his photo essay on Albert Schweitzer he left the magazine. His career was filled with opportunities but mired by the battles that always ensued with his editors over the use of his images.
As an idealist he would not compromise... and so, in this portrait... I wanted to bring that idealism into sharp focus... his resolute vision and fragility intact. Please enjoy my personal take on this celebrated artist.
16x20 Inch Archival B&W Giclee Print Image Dimensions are @11 x 16 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core, Corner Mounted Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of tone, depth and brilliancy... faithfully capturing this important American politician. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
"A CLEAR VISION"
This deliberative portrait captures Robert in a head on portrait as he prepares to speak at a political rally held inside the old Labor Temple in Portland, Oregon. His clear vision for political reform is brought to the forefront in this dramatic, high key lit scene.
The camera I used for all of the Kennedy photographs was an original Nikon F with Nikkor Lenses. The photograph was taken with a 105mm Nikkor, a personal favorite for fast available light photography. Exposures were made on Kodak Tri-X B&W film. The original transparencies and negatives from my Kennedy Collection have been kept in dark storage and are in pristine condition for their vintage.
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WARREN BEATTY PORTRAIT "DARK EYES" Featured as the cover photo on a new book about Warren Beatty, authored by Peter Biskind and published by Simon and Schuster. The 640 page hard cover book will be available in February 2010. It is entitled, "STAR: How Warren Beatty Seduced America."
In this vintage documentary arts portrait, I captured Warren Beatty on the sidewalks of Portland adjacent to the Benson Hotel. I asked for this pose (hand on chin) with and without his wearing sun glasses. This image combines both poses so that his eyes become visible through his dark sun glasses. Since we both stood our ground this became technically feasable making for a most unusual portrait. I used a Nikon F film camera, loaded with Kodak Tri-X and equipped with a 55mm Nikkor lens. The negatives are pristine producing a sharp looking print!
16x20 Inch Archival B&W Giclee Print Image Dimensions are @11x16.5 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
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This archival B&W giclee print offers an exquisite range of tone, depth and brilliancy... faithfully capturing Beatty's complexion. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
16x20 Inch BW Archival Giclee Print Image Dimensions are 10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
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Intense up close street portrait of Eugene McCarthy as he campaigned to win the nomination of his party to run for the U.S. Presidency.This intimat portrayal came out of from the volatile May 1968 Oregon Presidential Primary Campaign. The pose is revealing of his warm personality with up-close, intimate camerawork. McCarthy won the Oregon Primary and this portrait was made shortly before that election. The camera I used for all of the Kennedy photographs was an original Motorized Nikon F with Nikkor Lenses. The two portrait was taken with a 55mm "Micro" Nikkor lens, a personal favorite for available light razor sharp portrait photography.
This archival giclee print offers an exquisite range of tone and brilliancy faithfully capturing this important historical figure in American politics. The B&W negative from which this print is made is in pristine condition with little if any deterioration. Makes a strong impression with excellent scale ar this larger size. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
11x14 inch B&W Print Fuji Crystal Archive Lustre Paper Signed/Dated and Titled on lower white border Shipped Flat, Insured, Tracking
"RFK FACING ISSUES"
This intensive portrait of Robert kennedy captures a defiant determination at a Portland, Oregon Press Conference held during the May 1968 Oregon Primary. This pose, depicts an intensity in its expression and resolve as Kennedy faced his turbulent last days of the presidential campaign.
The photograph was taken with a 300mm Nikkor lens, a personal favorite for pulling in distant subject matter. Exposures were made on Kodak TRI-X film. I used the original pristine Tri-X negative to produce this razor sharp, brilliant print.
Robert Kennedy fought for Civil Rights as Attorney General; his positive vision for the advancement of peace, justice, equality and responsibility is still relevant today. This image is part of a portfolio of images selected by the RFK Center and the New York City Metropolitan Transit Authority in a promotion (Fall 2008) celebrating the renaming of their Triborough Bridge to the RFK Bridge.
15 ARCHIVAL Giclee Prints 9x13.5 inches on 16x20 Inch Epson Satin Paper All prints Signed, Dated and Titled Shipped Flat, Insured with Delivery Confirmation
THE "ESSENTIAL RFK PHOTO COLLECTION"
Here are fifteen of our most popular images from Clyde Keller's "RFK Collection." The titles are placed row by row from top to bottom, left to right.
Three16x20 Inch BW Archival Giclee Prints Image Dimensions are 10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core, Corner Mounted Shipped Flat, Insured with Tracking
These archival giclee prints offer an exquisite range of tone and brilliancy faithfully capturing this important historical figure in American politics. The B&W negative from which this print is made is in pristine condition with little if any deterioration. Makes a strong impression with excellent scale ar this larger size. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing. "3 DEFINITIVE RFK PORTRAITS"
Here are three special documentary arts images from the May 1968 Oregon Primary. Each is printed to the highest standard of the photographic arts. These popular images date from the May 1968 Oregon Primary.
Retains NABF Lightweight Title 1st Round Knockout, Mike Ryan Portland, Oregon February 6, 1975
This vintage documentary news photo captures a startling victory in a story telling photo of Ray Lampkin's 1st round knockout in his successful bid to retain the NABF Title. His opponent, Mike Ryan is shown laying unconscious as the final count is given while Lampkin and his coach Mike Morton hug each other. One of my favorite celebratory photos, achieved by perching myself on top of the ropes for an all inclusive elevated, corner view of the ring. Photographed with a moderate 24mm Nikkor wide angle lens using Tri-X, a perfect combination to capture the event.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10X15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of color, tone and brilliancy faithfully capturing this historical subject. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10X15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this historical political subject. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
MAYOR RICARD J. DALEY (1902-1976) New York 1976, Democratic National Convention
"PROFILE"
This pristine vintage documentary image captures Mayor Richard Daley of Chicago seated as a delegate at the Democratic Convention held inside Madison Square Garden. He is shown in profile from my birds eye view looking up as I was, seated on the convention floor. Daley was the undisputed Democratic "boss" of Chicago for 21 years. He played a major role in the history of the Democratic Party giving his key support to John F. Kennedy's 1960 election. The camera I used for all of the Republican and Democratic Convention photographs were Motorized Nikons with Nikkor Lenses. This photograph was taken on the with an 180mm Nikkor telephoto, a personal favorite for fast available light work when a longer unobtrusive "reach" was appropriate. Made from the original pristine negative with full tonal range and exquisite sharpness.
This photo is on permanent display at the Chicago Police Department, Precinct 9.
HUBERT H. HUMPHREY "HOTEL INTERVIEW" New York 1976, Democratic National Convention
This vintage 1976 documentary arts photo captures Hubert Humphrey (1911-1978) in a private conversation in his hotel room taken during the 1976 Democratic Convention. He was the Vice President of the United States under Lyndon B. Johnson's Administration.The camera I used for all of the Republican and Democratic Convention photographs were Motorized Nikons with Nikkor Lenses. This photograph was taken on the with a 85mm Nikkor telephoto, a personal favorite for fast available light work, especially for portraiture.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10X15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of color, tone and brilliancy faithfully capturing this historical presidential subject. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
This vintage documentary portrait captures Jimmy Carter on the eve of his nomination by the Democratic Party to run for the U.S. Presidency. He is shown in the spotlight greeting Delegates at a reception immediately following his nomination. The camera I used for all of the Republican and Democratic Convention photographs were Motorized Nikons with Nikkor Lenses. This photograph was taken on the with an 180mm Nikkor telephoto, a personal favorite for fast available light work when a longer unobtrusive "reach" was appropriate. Exposures were made on Kodak Tri-X B&W film. The original transparencies and negatives have been kept in dark storage and are in pristine condition for their vintage.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10X15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this historical presidential subject. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
Classic 1976 Republican National Convention photograph of a gregarious Vice President, Nelson Rockefeller who is shown latching on to my hand and temporarily holding me captive. This turned out to be a splendid opportunity to make an impromtu portrait with my free hand! Using my motorized Nikon I clicked away while we both exchanged "niceties." Nelson Aldrich Rockefeller (1908-1979) was the 41st Vice President of the United States under Gerald Ford's Administration.The camera I used for all of the Republican Convention photographs were Motorized Nikons with Nikkor Lenses. The photograph was taken on the with a 24mm Nikkor wide angle, a personal favorite for fast available light work.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10X15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of color, tone and brilliancy faithfully capturing this colorful historical political subject. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
This vintage documentary portrait captures Ronald Reagan while campaigning for the presidency in Kansas City at the 1976 Republican National Convention. He is shown surrounded by his entourage in a late morning appearance that served as a media event. Photographed with a Nikkor 24mm wide angle lens, great for working close and working wide.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10X15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of color, tone and brilliancy faithfully capturing this colorful historical political subject. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
One fine summer evening in Portland, an old friend of mine, a brilliant graphic designer named Michael Casey, gave me a roll of "spy" film. We were in his studio just down the hall from mine. "See what you can do with it," he mused... "it's really kind of unusual, or so I'm told."
Taking the challenge I took my trusty Nikon out of my studio and on to the street. There I was immediately confronted with the most unusual scene, a visual pun which included a billboard and trucks. The billboard headline proclaimed, "Look... Double Coupons." Beneath the billboard were two identical trucks parked side by side. So, I took the photograph of the sign and the trucks all doubled up amusing myself with this clever chance arrangement of pairs. Seldom had Madison Avenue found such a concurrency linked to an actuality!
Proceeding down the street I immediately ran into identical male twins with their identical twin vans. Holy smoke, I thought... this must be fate. I asked permission to photograph the twins in front of their vans and went on my merry way looking for more. By now I knew this was my destiny! All I could see were doubles, no matter where I turned. Snake Eyes!
This image is from the tail end of the series taken the following morning near Burnside Street in Chinatown. I began to feel a little superstitious like I was a character in a Fellini movie (or exhausted from the delirium) so at this point I called it quits. No more Juliet of the Spirits, at least not until the film was processed and prints were made. The resulting collection of Doubles Prints turned out to be a quite a hit... here's one brought out of the box from the past... please enjoy.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
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This archival B&W giclee print offers an exquisite range of tonality and brilliancy faithfully capturing the fiures in the bright morning sun. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
The portrait of Angel's Jewels was taken as part of a photo documentary project included for viewing at a national conference held in Portland, Oregon, entitled Wages, Welfare Or What? The show highlighted some of the issues under discussion as it related to full employment, health care and poverty. At the time of the conference, the Humphrey Hawkins Bill, sponsored in part by former Vice president, Hubert Humphrey, was under intense discussion.
The subject shown in this documentary photograph figured in the larger conversation. Angel's Jewels and all other stores located on this downtown Portland block were scheduled for demolition to make way for a parking lot. Tragically, elderly citizens who lived in hotels on the block were forced to move without anywhere to go... and sadly one of the great movie houses from the silent era, The Blue Mouse, was torn down.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of tonality and brilliancy faithfully capturing the sobriety of the moment. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of tonality and brilliancy faithfully capturing the sobriety of the moment. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
"WINO IN THE BUSH"
The portrait of a "wino" was taken as part of a photo documentary project included for viewing at a national conference held in Portland, Oregon, entitled Wages, Welfare Or What? The show highlighted some of the issues under discussion as it related to full employment, health care and poverty. At the time of the conference, the Humphrey Hawkins Bill, sponsored in part by former Vice president, Hubert Humphrey, was under intense discussion.
The subject shown in this documentary photograph figured in the larger conversation concerning displaced local residents who were forced to vacate to make way for the construction of a parking lot in downtown Portland, Oregon. Tragically, elderly citizens who lived in hotels on the block were forced to move... and sadly one of the great movie houses from the silent era, The Blue Mouse, was torn down. I found this person where he is shown with his bottle with really no where to go. Behind him, looming in the background are the newer buildings of the downtown slyline.
The portrait of Michael Harrington was taken as part of a photo documentary project concerning a national conference held in Portland, Oregon concerning the topic of full employment. At the time the Humphrey Hawkins Bill, sponsored in part by former Vice president, Hubert Humphrey, was under intense discussion. The conference (Wages Welfare Or What?) became a public forum to discuss issues of employment, health care and poverty as they affected Oregonians. My portrait of Harrington was was made during an afternoon speech he made, breaking from the conference. This is a studied composition where the trees in the park blocks (with their repetitive forms) became an essential "character" in the composition. It remains an absolute favorite.
Michael Harrington is the author of "The Other America: Poverty in the United States." He is well known as a Democratic Socialist Leader in American Politics. At the time of this photo, he taught political science at Queens College in New York. He is associated for his influence on the Kennedy and Johnson administrations, especially for Johnson's infamous War On Poverty Program. Harrington helped to found the Democratic Socialist Oreganizing Committee (DSOC) which opposed the Viet Nam War.
16x20 Inch Archival B&W Giclee Print Image Dimensions are 10X15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival B&W giclee print offers an exquisite range of color, tone and brilliancy faithfully capturing this important figure in American History. Makes a strong impression. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
16x20 Inch Archival Giclee Print Image Dimensions are @10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this political activist subject. Makes a strong impression in this larger 16x20 inch format. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
"THE DEMOCRATIC VISION"
Documentary Image captures Democrat Connie Kennard of Bend, Oregon and two neighborhood precinct members at an June 2006 meeting at the old Democratic Headquarters, Bend, Oregon.
Documentary photo showing a pre-march scene, as many participants gathered for the March 17, 2007 "Imagine Peace" March in downtown Bend, Oregon. Similar marches were held that weekend nationally over the St. Patrick's day weekend. The "Imagine Peace" March was organized by Ray Duray with the support of many concerned Citizens. Organizations such as the Central Oregon Progressive Alliance, C. O. Peace Network, Deschutes Democrats, Central Oregon labor Council, Human Dignity Coalition, Amnesty International, World Can't Wait, Sierra Club and others helped to attract many participants who each contributed with various forms of anti-war expression including placards [as pictured] costumes and theatrical props such as stilts. The group marched to City Hall taking a tour through the main downtown arterials leading to a grand loop moving away from and back to the downtown area, culminating at the historic "Old Church" where films were shown.
16x20 Inch Archival Giclee Print Image Dimensions are @10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this political activist subject. Makes a strong impression in this larger 16x20 inch format. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
Documentary photo showing a Vetran, one of 300 participants in the March 17, 2007 Peace March held at Brandis Square in downtown Bend, Oregon. Similar marches were held that weekend nationally over the St. Patricks day weekend. The "Imagine Peace" March was organized by Ray Duray with the support of many concerned Citizens. Organizations such as the Central Oregon Progressive Alliance, C. O. Peace Network, Deschutes Democrats, Central Oregon labor Council, Human Dignity Coalition, Amnesty International, World Can't Wait, Sierra Club and others helped to attract many participants who each contributed with various forms of anti-war expression including placards [as pictured] costumes and theatrical props such as stilts. The group marched to City Hall taking a tour through the main downtown streets leading to a grand loop moving away from and back to the downtown area, culminating at the historic "Old Church" where films were shown. The print was featured in a show curated by Tracy Miller, entitled, "Art of Protest, End of an Error" held at the end of 2008 in Bend, Oregon.
16x20 Inch Archival Giclee Print Image Dimensions are @10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this political activist subject. Makes a strong impression in this larger 16x20 inch format. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
Captured During the SING OUT FOR SINGLE-PAYER ROAD SHOW led by Anne Feeney, Pioneer Park, Bend, Oregon
Part of a collection of photographs taken at a concert held for the advancement of single payer health. This documentary arts photo captures the group ensemble who performed on Wednesday July 8, 2009. The SING OUT FOR SINGLE PAYER ROAD SHOW led by singer Anne Feeney calls for reform of the health care system in the United States that leaves some 50 million Americans without health insurance.
16x20 Inch Archival Giclee Print Image Dimensions are @10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this political activist subject. Makes a strong impression in this larger 16x20 inch format. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
"DAVID FAHRNER ON KEYBOARDS" Deco Moon Jazz Concert Club 28, Bend, Oregon
Portrait of the popular David Fahrner playing his keyboard at a jazz session during the Deco Moon Holiday Jazz Concert held at Club 28 in Bend, Oregon on December 20, 2008. The singers included Lisa Perra, Teresa Ross, Elise Franklin, Michelle Van Handel and backed by some of the best local jazz musicians for an unforgettable evening.
16x20 Inch Archival Giclee Print Image Dimensions are @11x16.5 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this political activist subject. Makes a strong impression in this larger 16x20 inch format. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
"BILL MURRAY" With KVAL TV Crew and Ken Kesey Ken Kesey Poetic Hoo Ha
16x20 Inch BW Archival Giclee Print Image Dimensions are 10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
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This archival giclee print offers an exquisite range of tone and brilliancy faithfully capturing this impromptu event featuring Bill Murray and Ken Kesey. The B&W negative from which this print is made is in pristine condition with little if any deterioration. Makes a strong impression with excellent scale ar this larger size. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing. Photographed on Kesey's grounds (near his famous Barn Home) during the onset of the Poetic Hoo Ha held in June 1976. A then unknown Bill Murray is shown as part of the crew documenting the event for KVAL TV in Eugene, oregon. Ken Kesey is shown at center holding a "prtable" video camera.
"CANADIAN LANDED IMMIGRANT" Jane Gallagher, Formerly of Australia Vancouver, B.C. Canada
16x20 Inch Archival B&W Giclee Print Image Dimensions are @12x16 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
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This archival giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this Canadian Immigrant subject. Makes a strong impression in this larger 16x20 inch format. Suitable for immediate safe viewing (the print is shrink wrapped on foam core board) and ready for framing.
Portrait of Jane Gallagher of Australia who officially became a landed immigrant on May 8, 2006. She is shown at her new job at the old Doggy Style Deli located on Denman Street in Vancouver BC when this portrait was taken. The portrait celebrates an aspect of the bright outlook immigrants are making to this dynamic international city. The image was taken in early June, shortly after Jane's arrival and granting of immigration status. Vancouver, which boasts the highest quality of lifestyle in North America is home to many immigrants.
16x20 Inch Archival B&W Giclee Print Image Dimensions are @10x15 inches Heavyweight Epson Satin Paper Signed/Dated on lower white border
Shrink Wrapped on Foam Core Shipped Flat, Insured with Tracking
This archival giclee print offers an exquisite range of tonality and brilliancy faithfully capturing this Canadian subject. Makes a strong impression in this larger 16x20 inch format. Suitable for immediate safe viewing (the print is shrink wrappe
Here is an impromptu portrait of one of the "old-timers" of the Haro Street Community, Lee Brown, as caught on one of his daily walks surveying the grounds around his three story apartment complex which he manages. We were parking our car in the alley behind the Buchan Hotel when Lee emerged to greet us. Like many Canadians we have met, Lee is quite amiable and willing to share his love of Vancouver and its rich history. Haro Street has the rare quality of mixing residential area homes, apartments, hotels, gardens and parks into a seamless delightful whole. Part of a continuing series on Vancouver, British Columbia, celebrating its people, architecture and beauty.
ClydeKeller.com
