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Robert F. Kennedy Collection, STUMP SPEECH, Clyde Keller RFK Photos
Price: $495.00
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ABOUT THE PRINTS
These 71 Stump Speech Portraits were captured at Woodburn, Oregon (May 17, 1968) during a series of classic Whistle Stops from Portland to Eugene along the Willamette Vally corridor. Using a 300mm Nikkor with an original motorized Nikon F... his speech was rapid fire and RFK continually changed expression as he discussed the issues of the campaign. I shot two rolls of 135 Tri-X film photographing every significant gesture and facial expression he made during this particular speech. This collection is descriptive of Kennedy's compelling emotional range as he spoke about the imposing threat of nuclear war. Kennedy fought to end the War in Vietnam; he pushed for Civil Rights as Attorney General; his positive vision for the advancement of peace, justice, equality and responsibility is as relevant today. "STUMP SPEECH" Whistle Stop Tour, May 17, 1968 Woodburn, Oregon
American Foreign Policy, Vietnam and Nationalism
Two 16x20 Inch Archival B&W Giclee Prints Image Dimensions are 16x20 inches Heavyweight Epson Satin Paper Signed/Dated on prints, lower right corners Shrink Wrapped on Foam Core, Shrink Wrapped Shipped Flat, Insured with Tracking
"STUMP SPEECH" Photos Copyright © 1968 Clyde Keller CLICK ON IMAGE TO VIEW AN ENLARGEMENT
ROBERT F. KENNEDY: AMERICAN MESSIAH
Article By
TERRENCE EDWARD PAUPP
The year 1968 was a presidential election year in America. It was also a year of crisis. The magnitude of the crisis was historically unequaled. Only the civil war of the 1860s could begin to compare with the unraveling of the American social fabric in the late 1960s. Domestically, race relations had reached a boiling point in all of America’s inner cities. Riots characterized the summers of 1966-1968 in Detroit, Newark, and New York. Abroad, the war in Vietnam had become a bloody quagmire and the central reason for global opposition to the direction of US foreign policy and its post-1945 hegemony. America’s leadership was the object of dissent, derision, and fanatical opposition from the young, minorities, and the disaffected members of the left. The only exception to this trend was found in the person and policies of Robert F. Kennedy.
As the inheritor of the legacy of JFK, it was Robert Kennedy who embodied the hopes of a generation that had already been scarred by the horror of his brother’s assassination and the carnage unleashed on Vietnam by Lyndon B. Johnson. By May 1968 the presidential primary campaign of RFK reached Oregon. It was in Oregon that Kennedy and his message of hope, reconciliation, and dissent came into the camera’s eye as it was held by Clyde Keller. Only in his early twenties, Keller had been granted unprecedented access to Kennedy both in private and at public events. The pictures that Keller obtained in many ways rival and even surpass those taken by Life, Look, and other major media photographers. In part, Keller’s stellar chronicle of Kennedy’s campaign through Oregon calibrates with laser focus the intense feelings of the time. The other part of Keller’s photographic genius can be attributed to his mastery of the technical aspects of photography that were "state of the art" at that time. The result is a rare mixture of RFK giving a stump speech that took two rolls of film and records Kennedy’s many moods as he covered a variety of topics that ranged from the dangers of nuclear war to the war in Vietnam, from the alienation of America’s youth to the economic and social exclusion of America’s poor and minorities.
Today, looking back on these images, one cannot help but be struck by the sharp contrast between Robert Kennedy and the political leaders that came after him. Regardless of political party it is now clear that RFK was a seminal figure in an age of crisis. He could not be imitated, duplicated, or replaced. He had become an American Messiah. His position on almost every single issue was cutting edge and even ahead of the times. What other politicians chose to ignore Kennedy placed front and center. No matter how uncomfortable the realities of poverty, war, and dissent might be for some audiences Kennedy never altered his message to fit the audience. Rather, he truthfully confronted the hard facts and painful realities of the victims of social injustice, social exclusion, and economic deprivation. His constituency was not Wall Street.
Unlike the leadership brands of Reagan, Bush, Clinton, and Obama, what we find in Kennedy is a candidate who is entirely committed to being against the misguided priorities of the “Establishment.” He had learned and grown as attorney general in his brother’s administration. Now, in 1968, he was truly on his own. This reality also had the added benefit of freeing him from the more conventional aspects of John Kennedy’s approach to governance and campaigning. Robert’s message and the crowds to which he delivered that message were in many respects more diverse, more in tune with a time of turbulence. A sensitive man, Kennedy shared the anguish of a bitter age. These aspects of Kennedy’s character and times come through Clyde Keller’s photographs in a new and stunning way.
From the perspective of 2010, Keller’s photographs of Kennedy remind us of what might have been. Yet, they are more than that alone because they also have the capacity to place us back into contact with the ideas and hopes of what we still need to achieve. Watching RFK speak, respond, and connect with his audience serves as a dramatic reminder that we must hold America’s current leaders to a standard of accountability that honors and reflects Kennedy’s message and meaning from 1968. To do less would be treason to his legacy and the best that America has to offer.
Kennedy himself said at the close of many of his speeches, quoting George Bernard Shaw, “Some men see things as they are and say ‘why’? I dream things that never were and ask ‘why not’?”
TERRENCE EDWARD PAUPP is Senior Research Asssociate at the Council on Hemispheric Affairs (COHA), Washington D.C. and Vice President of North America for the International Association of Educators for World Peace (IAEWP). He is the author of several contemporary books including "Exodus From Empire" and "The Future of Global Relations."
Article Copyright © 2009 Terrence Edward Paupp

Portrait of Terrence Edward Paupp, December 30, 2009
ABOUT THE PRINTS
These 71 Stump Speech Portraits were captured at Woodburn, Oregon (May 17, 1968) during a series of classic Whistle Stops from Portland to Eugene along the Willamette Vally corridor. Using a 300mm Nikkor with an original motorized Nikon F... his speech was rapid fire and RFK continually changed expression as he discussed the issues of the campaign. I shot two rolls of 135 Tri-X film photographing every significant gesture and facial expression he made during this particular speech. This collection is descriptive of Kennedy's compelling emotional range as he spoke about the imposing threat of nuclear war. Kennedy fought to end the War in Vietnam; he pushed for Civil Rights as Attorney General; his positive vision for the advancement of peace, justice, equality and responsibility is as relevant today.
"STUMP SPEECH" Whistle Stop Tour, May 17, 1968 Woodburn, Oregon American Foreign Policy, Vietnam and Nationalism
Two 16x20 Inch Archival B&W Giclee Prints Image Dimensions are 16x20 inches Heavyweight Epson Satin Paper Signed/Dated on prints, lower right corners Shrink Wrapped on Foam Core, Shrink Wrapped Shipped Flat, Insured with Tracking
SHIPPING INFORMATION: We use 2-3 day USPS PRIORITY MAIL, INSURED with DELIVERY CONFIRMATION. USPS Express Mail Available upon request for possible 24 hour delivery. Please email us with any of your questions.
"STUMP SPEECH" Photos Copyright © 1968 Clyde Keller
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576
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